June 30th, 2010 - jessicah - 0 Comments
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Secret Cinema is a monthly cinematic or theatrical experience which lives by the motto “tell no-one”. The location and the chosen film remains a secret until the last possible minute – ticket holders are simply given a place and a time to meet and instructions on what to wear.

Armed with goggles, an umbrella and dressed in ‘futuristic 40’s’ attire, we gathered in the alien landscape which is Canary Wharf to be taken off on our Secret Cinema adventure. After being shouted out by various policemen and air stewardesses from ‘Utopia Airways’ (all actors, of course) we made our way up the giant escalators to form queues for the shuttle buses which would take us to the mysterious destination. Whilst on board we were suddenly informed that there had been a change of plan and that we had to be taken to an ‘off-world’ holding area. We were told to draw the curtains and put our goggles on and not to trust anyone whom we were about to meet. The buses then took us to an industrial park, with the glittering towers of Canary Wharf as its backdrop and we disembarked into a fantasy land.

Word soon got round that we were being taken to watch Ridley Scott’s 1982 cult classic ‘Blade Runner’, a dark science fiction film which was decades ahead of it’s time and is still referenced by today’s critics as one of the most significant films ever made in terms of cultural, historical and aesthetic reference.

Once inside a warehouse, it became clear that the Secret Cinema team had re-created China Town (Los Angeles 2019) from the film. Midgets, snakes, pole-dancers and future nun’s were dotted all over the place in amongst a mixture of stalls, some real and some fake (for instance, we managed to buy a beer at one and then the next door stall offered to grow us a fish of our choice for £10,000). Chrome Hoof, was also playing a gig. Outside, burned-out classic cars offered good seats to drink our beers in and we feasted on sushi, chorizo burgers and Turkish delight.

After about an hour we were all rounded up into another warehouse with dozens of rows of plastic chairs and a massive screen to watch the film. The crowd whooped with delight as the opening credits rolled and the penny finally dropped. Watching the film after being in the marketplace made it clear just how much attention to detail had gone into tonight’s event as every single event and prop of the evening so far could be referenced within the film. Towards the end of the film, during a scene where Harrison Ford’s Deckard and Rutger Hauer’s Replicant are fighting on a roof, the lights came up to reveal two actors rein acting the action on ropes on the wall, with the aid of some impressive projection technology.

The film ended with a round of applause and we were ushered back to Canary Wharf past two fire breathing girls who rounded off the night with suitable industrial drama.

Secret Cinema is a must-do for anyone living in the capital, just a word of warning – regular trips to the cinema will subsequently be ruined of life.

www.secretcinema.org

June 21st, 2010 - jessicah - 0 Comments
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Asides from its Turkish supermarkets, drive-by-shootings and art student hang outs, Dalston is also home to a disused WWII bunker which lurks inconspicuously off the High Street. Art’s collective ‘Space In Between’ have installed their latest exhibition ‘Where Beats This Human Heart’ into the space and Mooks went along to the private view last night.

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June 15th, 2010 - jessicah - 0 Comments
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New Opera Hero, a dance, opera and artistic collective, have just completed a four week residency at Shunt, a theatre group and performance space based in the tunnels underneath London Bridge Station.

New Opera Hero are led by Steff Ungerer and Michael Wilson, a powerful creative duo who have worked on the National Opera in London, Tokyo and Hamburg, as well as working on live shows for big names such as Pet Shop Boys, Asian Dub Foundation and most famously, Lady Gaga, for whom they created 3D elements for her live tour.

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June 4th, 2010 - jessicah - 0 Comments
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The Last Tuesday Society are an arts collective who are “devoted to exploring and furthering the esoteric, literary and artistic aspects of life in London and beyond.”

The society was first established by William James at Harvard University in 1878 and is now run by the Chancellor Viktor Wynd, who’s been running events in the capital since 2006. Regular events include ‘The Salon’ in which one of the committee members gives a talk accompanied by a nine course dinner or tea on a lawn, a quarterly séance and ‘Loss’ – a night consisting of Victorian taxidermy, headless pigs and piles of rotting fruit as a tribute to Gunter Grass’s fictional nightclub ‘The Onion Cellar’ in which people wept over chopped onions whilst sad plays and songs were performed.

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May 24th, 2010 - jessicah - 0 Comments
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For one weekend in May each year, the seaside city of Brighton becomes the destination for hundreds of bands, thousands of fans and trainloads of music industry folk. They all come flocking southwards to check out the three-day showcase of the hottest acts from around the world who are on the brink of breaking the big time. Each venue in Brighton transforms into a stage for the event and impromptu guerrilla gigs take place in mysterious places like down in the tunnels below the pier, publicised by text messages which circulate around the punters.

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May 17th, 2010 - jessicah - 3 Comments
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Brick Lane is awash with vintage shops and dealers. Most are trading the same sort of stock, but if you step off the main drag and down a side street, you might be lucky enough to stumble upon The Vintage Emporium, a new coffee house and vintage shop like no other.

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Locations & Writers



London - UK



Jessica Hazel

I am a 25-year-old freelance journalist who lives in London. I have been writing about art, music and culture since graduating with a BA honours degree in Music And Visual Art from Brighton University in 2007. I started out writing for the student paper and then went on to write for publications such as NME, Artrocker and The Fly as a music journalist. I have also worked on several small magazines in editorial positions. I moved to London back in April of 2009 and have been doing my best to keep up with the fast-paced arts scene ever since. I live in East London which is currently the epicentre of aspiring new musicians and artists. Alongside my writing I also promote gigs and work in a vintage shop in Camden.


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