Friday 11 June 2010 is a day that will be forever etched in the history of South Africa… and of the world. It was a day characterized by rainbow colours, celebratory pandemonium and the sound of the Vuvuzela – the definitive symbol of the Fifa 2010 World Cup. Indeed, finally the time had come and South Africa was ready for it all. Today was the kick off for the 19th Fifa World Cup tournament, and the streets were alive with people from across the country, and across the globe – all feeling the momentous energy.
With the 2010 FIFA World Cup kick-off only 27 days away, things are heating up in Cape Town and our streets are already beginning to fill up with overseas fans eager to swipe some plastic and hand over notes all in a united love for the South Africa’s generous exchange rate. Diversity is waiting to be discovered, each corner promising new smells, sounds and tastes in abundance.
So Spoek….tell me a bit about yourself?
I’m an Ndebele prince, rapper, dancer, DJ, dreamer, illustrator and graphic artist. I live between Johannesburg and Malmö Sweden. I work as various art/music collectives…namely: MSHINI WAM, SWEAT.X, PLAYDOE, AND H.I.V.I.P.
Meet Jean Rene Onyangunga, a jester on the streets and a kinetic spectacle of colour and sound. He breaks into your world, primary coloured and fucking loud. Gallant and off the wall, he was born in Kinshasa and yeah, you can take the kid of the jungle but can’t take the jungle out of the kid.
It’s hard to catch him as he hop-scotches along through life, hollering fully charged boom-box dialogues. But if you can by some chance catch him, please tell him to answer his fucking phone!
Heath Nash creates beautiful objects out of simple materials. He’s a creative with a practical bent, an ideas man who is also good with his hands. His designs are complex, colourful, joyful celebrations of what it means to be South African.
Heath draws from local craft materials (paper, plastic, wire) and traditional crafting techniques (binding, weaving) – but steers clear of knit-your-own-muesli, rustic kitsch. Instead his pieces are beautiful, sophisticated feats of design and form. His Die Cuts pleated lampshade, for instance, is deceptively simple – origami at its most accessible – while Strength in Numbers’ modular structures are about forming stronger and more functional wholes by binding wire together.
Aryan Kaganof is incendiary.
www.kaganof.com www.kaganof.com/kagablog/
His films, poetry and novels are exquisite, candid and shocking….It would be Journo-transgression
to turn this interview into anything else but what it is now. My questions, His answers.
Crude and honest. I’m a big fan of honesty, and so is Aryan, I found out.
Here’s a snippet of my interview with this extraordinary individual whose name is not even Aryan. A friend, an inspiration, a bit of a mystery.
Check it yo
























































































































