Though it looks like British photographer Anne Hardy has just stumbled on these abandoned rooms – a science lab, a basketball-littered storage cupboard, a dusty Christmas-tree filled living room – this is not the case at all.
Hardy has, in fact, spent months – two months for each set-up on average – sourcing each artifact, each decoration. That collection of weights and weightlifting trophies? A bounty of jumble sale finds. The derelict greenhouse, sanctioned by bio-hazzard tape? A mélange of second-hand pot plants and possessions from a particularly successful trip around the city skips. She’s spent hours moving each object maybe 5cm this way, 10cm that, to see where it perfectly fits. The seemingly accidental visual details – the clustering and stacking of things, the trodden-in dust and dirt are all her doing. Details in a larger story. A work of fiction.
